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44 Inch Chest

By Adam Lippe

Macho posturing doesn’t always have to be a cover for homoerotic tension. Sometimes, such as with a movie like Humpday, the homoerotic tension is created by the macho posturing. In that film, two friends drunkenly dare each other to make a gay porn together, and the next day, neither will back off for fear of [...]

From Paris With Love

By Adam Lippe

There’s a scene in one of my favorite movies, Kicking and Screaming (the one about post-college ennui, not Will Ferrell screaming at pee-wee soccer players) where one character, Otis, responds to a challenge to name eight movies where a monkey plays a key role. After a few titles, the character played by Carlos Jacott starts [...]

Edge of Darkness

By Adam Lippe

Did you know that in the censored-for-TV version of The Long Kiss Goodnight, the movie has been edited so much that it’s no longer clear that Geena Davis’ character is a government assassin with amnesia? In the way the film plays in the version that airs on Sunday mornings on TNT, the suggestion is that [...]


A Podcast with Scott Cooper, the Director of Crazy Heart

By Adam Lippe

Here’s a podcast with Crazy Heart director Scott Cooper who led lead actor Jeff Bridges to a Golden Globe Award. The film is about “Bad” Blake, an alcohol soaked, washed up rock/blues singer, touring dingy bars across the US. Unable to get albums released without the help of his former protege, and now big star, [...]

Youth in Revolt

By Adam Lippe

Exploring the sexuality of teenagers is, for some fuzzy moralistic reason, a faux pas. We can acknowledge as a society that young boys and girls have sexual thoughts, and once they pass puberty, those thoughts dominate their lives, even if they don’t know how to deal with them. Teenage sexual desire is a universal feeling, [...]

A Podcast with Michael Cera and Portia Doubleday

By Adam Lippe

Here’s an audio interview conducted in a room full of reporters with Youth In Revolt stars Michael Cera and Portia Doubleday. While all 15 of us got to ask 2 questions each*, there were a plethora of tangents that had nothing to do with the movie (yes, Cera would be interested in an Arrested Development [...]

Now on DVD and Blu-Ray

Zombieland

By Adam Lippe

It’s been said that Russ Meyer primarily made silly exploitation movies filled with huge breasts, wild editing styles, and jokey narration because when he tried to make a real movie, such as The Seven Minutes, it would either be dull or devolve into camp, like his most famous films, Beyond the Valley of the Dolls, Cherry, Harry, and Raquel, and Faster, Pussycat! Kill! Kill! The suggestion was that he wasn’t a talented enough director to have a movie be taken seriously, so he had no other choice but to mock. The thing is, you can get away with a lot in a genre parody. If you’re mocking an action-comedy, as long as your movie is funny it becomes irrelevant if you can’t afford explosions or can’t direct car chases. Problems occur [...]

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Featured Quote (written by me)

There’s a famous poem by Robert Frost that says, and I paraphrase, “two roads diverged, both selling out in their own way, one to Hollywood, and one to direct-to-video erotic thrillers.” Frost wrote this poem after watching Open House, a low-budget slasher movie taking place amongst real estate agents, written by David Mickey Evans, who followed up this script with the fantasy/child abuse uplifting drama, Radio Flyer and the nostalgia for racial mixing amongst young baseball players with The Sandlot, while director Jag Mundhra followed Open House with titles like Sexual Malice, Tropical Heat, and most recently, Kama Sutra 3.

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