Thriller
Eye of the Beholder (1999)
Comedian David Cross does a bit on his It’s Not Funny album about how common it is to see a gay couple who look exactly like one another, “same balding pattern, bushy mustache, reverse pear-shaped body.” He goes into more detail exploring how that must be sort of like masturbation, where you can either take [...]
The Oxford Murders
The money is no longer in America. It used to be that you weren’t considered a success until you made it in the US, so athletes, actors, and musicians from foreign countries have been trying to make their talents more accessible (read: dumbing down) whether it be by simplifying what made them great in the [...]
Inception
Christopher Nolan’s Inception shares a lot of similarities with Tarsem Singh’s The Cell*. It’s a highly ambitious story dealing with entering people’s minds and has grand and stylized visuals, and a harrumphing, doom-impending score by Hans Zimmer that could easily be confused for Howard Shore’s work (Along with The Cell, Shore writes music for most [...]
A podcast with Nash Edgerton, director of The Square
Australian stuntman Nash Edgerton made his first feature, The Square, back in 2008, but it was just released in the US. The film is a twisty noir that takes place in a small, insular town, similar to Henrik Ruben Genz’s Terribly Happy (which also got a podcast dedicated to it). I interviewed Edgerton along with [...]
A Podcast with Henrik Ruben Genz, the Director of Terribly Happy
Below is an interview with the director of the Danish dark comedy Terribly Happy, Henrik Ruben Genz. We discuss the connections between his film and Blood Simple, the satirical underpinnings of Terribly Happy and how that relates to political refugees in Denmark, the inherent humor within the arrogance of Dogme ’95 and how Lars Von [...]
Shutter Island
Timing is one of the most delicate and important attributes a person can have. Every little decision we make can be affected by timing; from simply crossing the street when we have the light to knowing that the best time to take a bathroom break isn’t when you’re in the middle of carrying a piano [...]
Edge of Darkness
Did you know that in the censored-for-TV version of The Long Kiss Goodnight, the movie has been edited so much that it’s no longer clear that Geena Davis’ character is a government assassin with amnesia? In the way the film plays in the version that airs on Sunday mornings on TNT, the suggestion is that [...]
Shank
Opening with a coke-filled clandestine Internet hook-up in the woods, quickly followed up with a painful headbutt, Simon Pearce’s Shank successfully treads the line between sweet romance, gay soft-core porn, gang violence, and aimless exploitation. The combination of all of these elements is the only way the movie is unique; otherwise, it’s just a coming-out [...]
The Missing Person
It’s a shame that Hollywood is only interested in making origin films for the heroes of comic book films. Such is the case with the recent X-Men Origins: Wolverine. Frankly, the heroes tend to be dull. And so, while there are some aberrations—such as with Lexi Alexander’s campy, silly, and ridiculously entertaining and colorful Punisher: [...]
Local Anesthetic: Film Festivals Part IV
“We want to show movies that won’t be seen at the local mallplex,” drunkenly exclaimed Harlan Jacobson, the artistic director of the 18 ½ Philadelphia Film Festival and a film community legend. It was awkward enough being a film critic at an invite-only party taking place at an upscale club. No matter how you try [...]
The 18 1/2 Philadelphia Film Festival’s opening night film: Law Abiding Citizen
As I said in my review of Year One, sometimes the way an actor or a director chooses to promote his new film on a talk show reveals all you need to know about the movie itself. Jamie Foxx, the star of F. Gary Gray’s new thriller Law Abiding Citizen, amidst the two segments (11 [...]
Five Minutes of Heaven
Period pieces always create a lot of problems for filmmakers, from the costumes, make-up, style of speech, and an overall look of the actors. It gets worse when the movie takes place in an era that the audience might have lived through. But when directors get bogged down in these small details, they often lose [...]




