On the 1987 Burt Reynolds exploitation thriller Malone.
"Burt Reynolds is an ex-_____(moustachioed-noun) running from his past who finds just how difficult it is to retire when he runs across a small _____(place/and/or/female) controlled by _____(pony-tailed/and/or/albinoed-noun) and a family that's resisting their _____(whatever).
I love Burt Reynolds Madlibs."
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Inglourious Basterds Podcast, with special guest Benji
By Adam Lippe
Below you’ll find a podcast about Quentin Tarantino’s Inglourious Basterds, which I conducted with the famed star of 30 years worth of films, Benji. You can read a review of the filmhere.
Those of us lucky enough to have seen Exhausted*, the 1981 John Holmes sycophant-umentary, may remember something the now world-weary director Julia St. Vincent, said on the DVD commentary. She described Holmes’ pursed lip expression during his moment of climax as one of his “monkey faces.”
Now as the title character in MacGruber, the adaptation of his reoccurring Saturday Night Live sketches, Will Forte doesn’t offer monkey faces exactly, but during his sex scenes, one of which is with his dead wife’s ghost, he offers a similarly ridiculous variation. Such excess is where Jorma Taccone’s MacGruber succeeds. When Taccone leaves behind the one note MacGyver parody that MacGruber was as a sketch and turns his movie into something energetically absurd[...]
At the funeral of the conflicted, narcissistic, and mean-spirited superhero The Comedian, each of what appears to be ten different people get their own extremely detailed flashback to their interactions with their fallen friend. As the camera slowly moves past each character that had their screen time, eventually stopping at whom I thought was the priest, who then gets five minutes to look to his past, I kept waiting for the dirt and the coffin to get their fill in too.
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Below you’ll find a podcast about Quentin Tarantino’s Inglourious Basterds, which I conducted with the famed star of 30 years worth of films, Benji. You can read a review of the film here.
