Warning: getimagesize(http://www.regrettablesincerity.com/wp-content/themes/magazine-basic/uploads/regrett_header.gif): failed to open stream: HTTP request failed! HTTP/1.1 406 Not Acceptable in /home/regret5/public_html/wp-content/themes/magazine-basic/functions.php on line 112

A Podcast with Henrik Ruben Genz, the Director of Terribly Happy

By Adam Lippe

Below is an interview with the director of the Danish dark comedy Terribly Happy, Henrik Ruben Genz. We discuss the connections between his film and Blood Simple, the satirical underpinnings of Terribly Happy and how that relates to political refugees in Denmark, the inherent humor within the arrogance of Dogme ’95 and how Lars Von Trier is viewed in his native country, and the unique way that Danish films are financed, among other things. The interview runs just over 35 minutes and some of the audio, especially on Henrik’s end, is not the best, since he was calling me from Denmark on a cell phone, but I’ve done what I can to clean it up and you should have no problem hearing all of it.

You can listen to the podcast by clicking below or downloading it to your computer.

Download the full interview.
(Right-click, Save Link As…)

Leave a comment

Now on DVD and Blu-Ray

Roadracers

By Adam Lippe

Whenever there’s a genre parody or ode to a specific era of films, such as Black Dynamite’s mocking of Blaxploitation films or Quentin Tarantino’s Death Proof, the second half of Grindhouse, the danger is that the film might fall into the trap of either being condescending without any particular insight, or so faithful that it becomes the very flawed thing it is emulating.

Black Dynamite has nothing new to say about Blaxploitation films, it just does a decent job of copying what an inept [...]


Veegie Awards

Winner: BEST ONLINE FILM CRITIC, 2010 National Veegie Awards (Vegan Themed Entertainment)

Nominee: BEST NEW PRODUCT, 2011 National Veegie Awards: The Vegan Condom

Recent Comments

Archive

Featured Quote (written by me)

On Cold Fish:

Though the 16 year old me described the 1994 weepie Angie, starring Geena Davis as a Brooklyn mother raising her new baby alone, as “maudlin and melodramatic,” Roger Ebert, during his TV review, referring to the multitude of soap-operaish problems piling up on the titular character, suggested that it was only in Hollywood where Angie would get a happy ending. “If they made this movie in France, Angie would have shot herself.”

Well Cold Fish was made in Japan, where Angie would have shot herself and that would have been the happy ending.