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The Men Who Stare At Goats

By Adam Lippe

No matter what you think of Saw as a film, it’s hard to deny that the guys who made it, James Wan and Leigh Whannell, are geniuses. Not that they’re all that talented, as a feature film Saw is derivative, badly acted, and needlessly convoluted. What differentiates Wan and Whannell from standard exploitation filmmakers (torture [...]

A Serious Man

By Adam Lippe

Is it unfortunate that musical medleys are not appreciated? No, it isn’t, but that’s because it is rare that any artist does anything creative with the notion, instead relying on the droning familiarity and kitsch factor, pandering to the type of crowd that likes to hear songs that they know. That’s what nightclub entertainers tend [...]

2008 In Review

By Adam Lippe

A great premise can be tantalizing to a studio. A corporation only thinks about a way to sell its product, it is uninterested in its level of mediocrity, so a solitary, exciting idea sounds great in a 30 second ad. A writer knows better, realizing that the initial premise is only the starting point, you [...]

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MacGruber

By Adam Lippe

Those of us lucky enough to have seen Exhausted*, the 1981 John Holmes sycophant-umentary, may remember something the now world-weary director Julia St. Vincent, said on the DVD commentary. She described Holmes’ pursed lip expression during his moment of climax as one of his “monkey faces.”

Now as the title character in MacGruber, the adaptation of his reoccurring Saturday Night Live sketches, Will Forte doesn’t offer monkey faces exactly, but during his sex scenes, one of which is with his dead wife’s ghost, he offers a similarly ridiculous variation. Such excess is where Jorma Taccone’s MacGruber succeeds. When Taccone leaves behind the one note MacGyver parody that MacGruber was as a sketch and turns his movie into something energetically absurd[...]


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On Watchmen:

At the funeral of the conflicted, narcissistic, and mean-spirited superhero The Comedian, each of what appears to be ten different people get their own extremely detailed flashback to their interactions with their fallen friend. As the camera slowly moves past each character that had their screen time, eventually stopping at whom I thought was the priest, who then gets five minutes to look to his past, I kept waiting for the dirt and the coffin to get their fill in too.

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