A podcast with the creator and stars of The Boondock Saints II: All Saints Day, Troy Duffy, Sean Patrick Flannery, and Norman Reedus

By Adam Lippe

boondock_saints_ii_all_saints_dayHere’s a nearly 30 minute interview I did with Troy Duffy, the director of The Boondock Saints and the upcoming The Boondock Saints II: All Saints Day (he was also the subject of the muckraking documentary Overnight). Also in attendance were Boondock stars Sean Patrick Flannery and Norman Reedus. Sean is very talkative, but Norman almost never interjects and is very soft-spoken. You’ll hear me address him directly about 11 minutes in by saying, “Norman, I feel like I’m ignoring you.” The topics covered in the first 2/3 are mostly about The Boondock Saints II, the casting, the gay jokes, the fat jokes, the differences between the first and second film, the budget, trying to pretend that you shot in Boston instead of Toronto, and a lot of incidents where I try and then fail to be polite while insulting Troy. The last third of the interview ranges in discussion from how a critic conducts an interview about a movie he doesn’t like, Norman making suggestions that I might have ulterior motives, director Ted V. Mikels*, Jamie Kennedy, Inglourious Basterds, and how arbitrary acting and editing awards are. There are embarrassing moments all around, but I made some minor audio trims (nothing important) which occasionally may be a bit awkward because the interview was held in a restaurant/bar so the ambient noise level varied. As per the usual, you can play the file below or download it to your hard drive.

Download the full interview.
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* I did make a mistake during the interview when talking about Mikels’ films, there are only two Astro-Zombie movies, not five.

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Clash of the Titans (2010)

By Adam Lippe

It’s not a secret that the goal of reputable porn filmmakers has been to make a movie that is both erotic and dramatically riveting. Since the early 70s, the heyday of well made pornography (which includes such titles as The Opening of Misty Beethoven and The Devil in Miss Jones), there have been a few ambitious attempts* to make such a film. Tinto Brass’ Caligula, which is on the big budget end, is a nauseating, unsexy mess, a choppy and badly edited jumble that just happens to star Malcolm McDowell, Helen Mirren, Peter O'Toole, and John Gielgud. That producer and Penthouse creator Bob Guccione chose to cut extraneous hardcore footage into the film didn’t help Caligula, which as a movie might have played better as softcore. The very nature of hardcore pornography, where sex scenes aren’t just graphic, but lengthy and “real,” eliminates the possibility of legitimate dramatic interest, since the movie has to literally stop to provide us with[...]

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Featured Quote (written by me)

On Watchmen:

At the funeral of the conflicted, narcissistic, and mean-spirited superhero The Comedian, each of what appears to be ten different people get their own extremely detailed flashback to their interactions with their fallen friend. As the camera slowly moves past each character that had their screen time, eventually stopping at whom I thought was the priest, who then gets five minutes to look to his past, I kept waiting for the dirt and the coffin to get their fill in too.

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